In the The Little theatre at Southwark Playhouse, Tomás Palmer’s curtained box set conceals a domestic interior, effectively immersing us in the intimate, confined setting of the story about to unfold. As the play begins, Renée Lamb circles the space barefoot, singing with an eerie presence that immediately unsettles. When the curtains are drawn, we meet Russell (Stuart Thompson), recently returned home to the North East from university in London following a serious of ominous ‘incidents’ and his mother Maud (Wendy Nottingham), who believes her son has been possessed by a spirit.

The narrative shifts fluidly between timelines, flashing back to Russell’s days in London where he meets Steph (Renée Lamb), a fellow northerner. Their connection is immediate and electric, bonding over music, fashion and dancing. There are subtle explorations of Russel’s sexuality here – we can see he feels free with Steph in a way he doesn’t feel able to express back home. This feels like an area that could’ve been explored further to deepen our understanding of his backstory and what London and Steph represent in relation to his sense of liberation. 

In a desperate attempt to rid Russell of the supposed spirit, Maud turns to a priest, Father Miller (Ben Allen), to help make contact. What follows is the exorcism of Steph, the spirit who has been haunting the edges of the space the entire time. But will she ever leave Russell’s side? You’ll have to find out for yourself…

The actors are all impressive, sustaining an intensity and pace that never wavers. Stuart Thompson is particularly engaging as Russell, channeling a restless energy that conveys a longing to be understood.

RADIANT BOY shines with a strong atmosphere and nuanced storytelling, combining powerful performances with stunning vocals while delving into complex themes of identity, faith, resilience and connection, woven together with a haunting undertone. Catch it at so until 14th June, £22. Tickets available here. 

PR ticket. 

Photos by Olivia Spencer.